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Perfect for budding designers and newcomers to flowers, this book
demystifies the art of floral arrangements with 10 simple
techniques plus over 20 stunning bouquet ideas, all presented in
lush photographs with clear step-by-step instructions. Filled with
useful tips and easy-to-follow tutorials, Just Add Water reveals
the secret to transforming beautiful blooms and greens into
gorgeous designs for everyday enjoyment—and with just a few
materials. With creative spirit and a friendly voice, author
Cynthia Gaylin Bigony shows you how to use what you have on hand
already and then elevate it. Learn to combine different colors,
textures, and sizes of flowers into a design, repurpose everyday
containers into unexpected ways, use rubber bands and tape to
invisible but noticeable effect, lengthen the life span of wilting
flowers, and much more. Once you discover how amazingly simple and
easy it can be, you too can create uniquely styled designs with
this beautiful nature-inspired guide.
QUIERO SENTIRME MUY SALUDABLE PARA LUCIR Y PENSAR MEJOR Combatiendo
y previniendo muchas enfermedades, CURANDONOS NATURALMENTE CON
MEDICINA O REMEDIOS NATURALES Mejorando as nuestra de vida
QUIERO SENTIRME MUY SALUDABLE PARA LUCIR Y PENSAR MEJOR Combatiendo
y previniendo muchas enfermedades, CURANDONOS NATURALMENTE CON
MEDICINA O REMEDIOS NATURALES Mejorando asi nuestra de vida
This book discusses the theatrical history of Talawa, the work of
Dr Yvonne Brewster OBE, her contribution to the genre of
contemporary black British theatre generally, and her founding and
subsequent directing of Talawa from 1986 to 2001. The analysis
details how Brewster's theatre helped forge a black British
identity in Britain, both on and off the British stage, through its
strategic presentation of black language and culture in
performance. Following explanations of definitions and
sociolinguistic methodology in Chapter One: Voicing an Identity,
Talawa's theatrical roots are shown in Chapter Two: Post Traumatic
Slavery Disorder, to have begun in Africa, developed in Jamaica and
further progressed by British Caribbean post war artists in
Britain. In Chapter Three: A Stanger in Non-Paradise, Brewster's
early life, her significant contribution to contemporary black
British theatre, her founding of Talawa and the company's three
year residency in the West End are discussed. Talawa's work is then
explored by genre as follows; Chapter Four: The Island Plays
highlights Talawa's Caribbean productions. These are; An Echo In
The Bone, Maskarade, The Black Jacobins, The Dragon Can't Dance,
The Lion and Beef No Chicken. In Chapter Five: The Black South,
Talawa's American productions; The Love Space Demands, From The
Mississippi Delta and Flyin' West point to the relevance of African
American work to Talawa's audience. Chapter Six: Stay in Your Box
illustrates Brewster's ground breaking work in the British
classical genre. The productions discussed are; Anthony and
Cleopatra, King Lear, Tis Pity She's a Whore, The Importance of
Being Earnest and Othello. The book ends with Chapter Seven: Don't
Tell Massa. Brewster and her work at Talawa are summed up, followed
by an insight into her final attempt to secure a permanent home for
black theatre in Britain.
This book discusses the theatrical history of Talawa, the work of
Dr Yvonne Brewster OBE, her contribution to the genre of
contemporary black British theatre generally, and her founding and
subsequent directing of Talawa from 1986 to 2001. The analysis
details how Brewster's theatre helped forge a black British
identity in Britain, both on and off the British stage, through its
strategic presentation of black language and culture in
performance. Following explanations of definitions and
sociolinguistic methodology in Chapter One: Voicing an Identity,
Talawa's theatrical roots are shown in Chapter Two: Post Traumatic
Slavery Disorder, to have begun in Africa, developed in Jamaica and
further progressed by British Caribbean post war artists in
Britain. In Chapter Three: A Stanger in Non-Paradise, Brewster's
early life, her significant contribution to contemporary black
British theatre, her founding of Talawa and the company's three
year residency in the West End are discussed. Talawa's work is then
explored by genre as follows; Chapter Four: The Island Plays
highlights Talawa's Caribbean productions. These are; An Echo In
The Bone, Maskarade, The Black Jacobins, The Dragon Can't Dance,
The Lion and Beef No Chicken. In Chapter Five: The Black South,
Talawa's American productions; The Love Space Demands, From The
Mississippi Delta and Flyin' West point to the relevance of African
American work to Talawa's audience. Chapter Six: Stay in Your Box
illustrates Brewster's ground breaking work in the British
classical genre. The productions discussed are; Anthony and
Cleopatra, King Lear, Tis Pity She's a Whore, The Importance of
Being Earnest and Othello. The book ends with Chapter Seven: Don't
Tell Massa. Brewster and her work at Talawa are summed up, followed
by an insight into her final attempt to secure a permanent home for
black theatre in Britain.
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